Showing posts with label Comedy Murder Mystery. Show all posts
Showing posts with label Comedy Murder Mystery. Show all posts

Wednesday, November 30, 2022

1994 Double Cast of Comedy Murder Mystery


 "AS THE MACHIAVELLIS TURN"
Left cast: Michelle Groves, Don Bright, Giselle Airriess, Andy
Airriess, Lenore Cambria, Julie Carlson and John Diehl.
Right cast: Tabitha Thompson, Jodean Pond, Gary Thompson,
Kara Hill, Phil Lindhardt, Rachel Lindhardt and Martin King.

Description Hunt Mysteries' Show:
Join us for “Revolutions of Our Lives,” daytime television’s No. 1 Soap Opera. 
In attendance at the filming of the season finale will be top producers and investors from around the world.
Will the drama queen of “Revolutions of Our Lives,” receive the attention she demands? 
Will “supporting” actors steal her spotlight?Will the director survive the soapy drama? Come see what happens when Soap Operas go bad ... Really bad ... Like someone gets really killed bad!!! 
Characters:
Johnny Machieavelli, the dinner host and boss of Machieavelli Inc.

Marci Machieavelli, the boss's only child who yearns to be free.

Nick Machieavelli, Johnny's younger brother and longtime employee.

Nattie Machieavelli, the brother's free-spirited only child the boss's brother.

Billy Bio, Marci's boyfriend and war veteran.

Courtney Cash, Johnny's personal but proper lawyer.

Dr. Maxie Unger, Johnny's personal physician for the past several years.

Photos from an overnight two-part performance in Park City, Utah:




































Monday, January 11, 2021

"Godfather of the Bride" at Joseph Smith Memorial Building

 Probably our most popular and most performed Hunt Mysteries show was Jesse Dolce' "Godfather of the Bride." We have several videos from that show, but these two videos from the same performance are two of the best. The videos (Click here to see Part One on YouTube, and Click here to see Part Two on YouTube) were taken at the Joseph Smith Memorial Building in Salt Lake City, Utah. 

Emily Decker as Trixie Maraschino
"Godfather of the Bride," written by Jesse Dolce' in 1991, was the most performed show of all the nearly 40 shows produced and owned by Hunt Mysteries Dinner Theater. No matter what other shows might be running, there always seemed to be a need for another Bride performance – especially for private company parties and public Valentines dinners.

Gary Thompson as Harry
"The Lip" Smackarelli

This cast included Jesse Dolce', Lenore Cambria, Bruce Candrian, Emily Decker, Joan Johnson, Gary Thompson, Candy Revels.

Lenore Cambria as Bunny and
Joan Johnson as her mother,
Carla Beckenstein





Saturday, May 2, 2020

Hunting Mysteries at Deseret News in 2000!

OUR ‘SLOT’ IS A HEADLINER

ON SEVERAL STAGES


By Steve Warren
Deseret News staff writer
© 2000 Deseret News Publishing Co.

   Some people never find a niche in life that suits them.
   W. Lee Hunt doesn't have that problem. In 1983, he found his niche -
actually, it's called a slot – as chief copy editor at the Deseret News.
   The "slot" is a person who sits in the vertex of a U-shaped arrangement of
computer workstations occupied by up to seven copy editors. After
individual copy editors edit a story and write a headline, the slot either
OKs the story and sends it along for final preprint positioning on a page or returns it
to the copy editor with suggested changes. All the while, he keeps an eye
on page deadlines.
   It's no place for shrinking violets, and it suits Hunt fine. "I enjoy being
in the middle of all the news, the hot, breaking stuff."
   When he came to the Deseret News fresh out of BYU in 1974, Hunt didn't
have a clue that he'd wind up within a few months on the copy desk.
   "I thought of myself as a writer or reporter. I had no experience at all in
copy editing. It was a real challenge," he recalls.
   His first months as a copy editor were so inauspicious that he saw the
handwriting on the wall (but not the misspellings and grammatical problems
in that handwriting) and promptly enrolled in basic English classes through
community education.
   One headline that got him in hot water with the managing editor at the time
was: "Vietnam hoard flees Cong." It's a mistake he's had a "horde" time
forgetting.
   Although Hunt no longer finds the nuances of copy editing a mystery, his
life isn't short on mystery - not by a long shot.
   That's because he's the founder and proprietor of Hunt Mystery & Company,
which produces dinner-theater programs wherein actors stage a murder
mystery and the audience tries to solve it by questioning the performers, or
"suspects."
   Hunt Mystery & Company began in 1991. Early that year, Hunt, his wife Nancy
and children Heather, Lena, Jason, Jared and Nathan discussed ways to earn
money for a trip to California. Before long, the children were selling
Valentine's candy, cookies, pizza and pies.
   At that time, Hunt had already written three murder mysteries but had
staged them only on family occasions and at parties. Spurred on both by the
importunings of friends to go public and by the desire to fund the
California trip, Hunt hired actors and staged a production at a local resort - and they've
been doing them ever since.
   In 1994, the company put on 49 shows. [In 2001, the company stage close to 100 shows.]
   [Hunt Mystery stages public shows about twice a month at various locations.] … Other bookings include conventions and private and employee parties.
   Hunt leaves the acting to professionals (each presentation features six to
eight acting roles), but he continues to write most of the scripts and
lines up shows. Family members help by setting up the programs and in
handling lighting and sound.
   When he's not on the job as copy chief or involved in a dinner theater,
Hunt finds time to change the landscape of West Jordan.
   [Hunt was] …chairman of the West Jordan Urban Forest Committee and spearheaded
efforts that have resulted in the planting of hundreds of trees around the
city…..His appointment as chairman stemmed from his part in organizing tree
plantings at a neighborhood park. "The city saw my interest in trees and
the mayor came calling."
Linda Bisson, Pam Olsen, W. Lee Hunt, Marilyn
Karras and Susan Hermance pose with BYU's
Ty Detmer's Heisman Trophy at work. 
   Even though Hunt enjoys adding green to the West Jordan landscape, he
points out that his real color is "true-blue BYU." Whenever the Cougars
play, he tries to be near a TV -- or at the game, when possible. He does not,
however, belong to the fanatic - some would say frothing, lunatic - fringe
in the BYU-University of Utah rivalry that hopes for its team to win every
game and for its chief rival always to lose. "I cheer for Utah whenever
they're not playing BYU," he said.
   A word of warning to first-time visitors at the Hunt home. Near the front
30-year service
award from
Deseret News.
door, a plaque reads: The Hunt's. Alert souls will notice that the
apostrophe in Hunt's is in the wrong place. But don't be tempted to say,
"Aha, someone who claims to know grammar but who puts apostrophes in the wrong place doesn't have a leg to stand on."
   First, Hunt always has a leg to stand on, sometimes two. (He has a
prosthetic limb.) And second, "That (the plaque) was a gift," he emphasizes.
   Spoken like a true copy editor.

Monday, April 27, 2020

Utah Valley actors star in Hunt Mysteries dinner show

By Deseret News  Aug 2, 2007
Two Provo residents are included in the cast for the Hunt Mysteries dinner theater original show that will play in Ogden, Sandy and West Jordan within the next two months.

Justice Jex plays the Wizard of Odz and and Chanelle Reanee plays the Odz twin Nine-to-one in "Loveship Winaprize: Against All Odz."

The original comedy murder mystery, written by Joyce Gunther, is scheduled to play Aug. 11, 18, 31; Sept. 22 at Boccia's D'Italia, 1045 N. Washington Blvd., Ogden; Aug. 17 at River Oaks Clubhouse, 9300 Riverside Drive (700 West), Sandy, and Sept. 22 at A Classic Choice Catering, 7879 S.1530 West (just east of Redwood Road near Sizzler), West Jordan.

Dinner guests join the maiden voyage of the Loveship Winaprize as Capt. Jirk and his intrepid crew — including Science Officer Spork, Medical Officer Dr. Bonsey, Chief Engineer Snotty and Communications Officer Lt. Manura — go boldly into the open seas of space, warping toward the mysterious Planet Odz. Adventure and some good Odz await, possibly even the Odz Twins: Seven-to-one and Nine-to-one.

Other cast members include Andrew Lenz (West Jordan) as Capt. Jirk, James Schroeder (West Valley City) as Science Officer Spork, Brandon Rufener (West Valley City) as Medical Officer Dr. Bonsey, Tonia Sayer (West Valley City) as Communications Officer Lt. Manura and Patricia Mayer (Salt Lake City) as Odz twin Seven-to-one. The director is Nancy Candrian (Sandy), and choreographer is Patricia Meyer.

Tickets are $40 a person, and discounts are available online at: www.huntmysteries.com. All shows start at 7 p.m. For more information, call 801-569-1482 or toll-free 866-569-1482.

Sunday, April 26, 2020

HUNT MYSTERIES' A CRUISE TO REMEMBER


Julia ShumwayPosted by Julia Shumway, Jun 28, 2010                                                                                                      SANDY — This was my second time attending a Hunt Mysteries show, and they are a 2-for-2 success in my book. Now, mind you, you have to go to a Hunt Mystery with the right mindset. You should probably never go to a play in the upstairs of Spaghetti Mama’s expecting classic theater. You’re not going to be gleaning deep existential truths or viewing incisive character development. The point of Hunt Mysteries is to provide a fun evening. And they do that very, very well.




Upon boarding the cruise ship (i.e. Spaghetti Mama’s), we were met by several members of the cast mingling among the dinner guests. We were met by Julie O’Connor, the ship’s activities director, who scheduled us all for tennis matches; the kind, wealthy, and stupid Hubert Amster and his young and beautiful fiancĂ©e Rebecca McKay; Nicholas Rossi, a prodigal playboy; Chastity, the cruise’s gold digging entertainer; and a mysterious woman in black who kept getting into everybody else’s business.

Cast members pose with guests at Spaghetti Mama's in Sandy,
including Tonia Sayers, Tony Porter, Alicia Williams,
Jeremy Hall, and Mary Zullo.
The cast for this sort of play have a special sort of talent. In addition to acting, singing, and a knack for comedy, these actors also have to be able to interact well with the guests. As you might expect in an interactive play like this, some people get really into it whereas other people remain more reserved. The cast did a great job of getting everybody involved – speaking to everyone present and leaving no one out – and then allowing people to participate as much or as little as they chose.

In this particular performance, certain audience members were asked to take a small role in the play. A few audience members were given script cards and got to play the parts of Captain Steve, a letter courier, and a few of Nicholas Rossi’s former flings. Many of the people attending were part of the same large group, and I think this made it particularly fun for them to see their friends “on stage.”
Once we’d all boarded, the real story began. Rivalries and romance, mystery and music, and several well executed references to An Affair to Remember all ensued. We were treated to singing, dancing, and a lot of humor. I was impressed by the knack several of the actors had for humor. I couldn’t get enough of Mary Zullo Brassard (as Julie O’Connor), Tony Porter (as Hubert Sayer), and Heidi Potter (as Chastity). Besides that, I’d rather not give away too much of the story because half the fun is becoming acquainted with the characters’ pasts, aspirations, and . . . motives.

I will admit that the romantic aspect of the story did drag on a bit for me. Perhaps I wanted even more intrigue, or perhaps I wanted more comedy. I think it was really that certain aspects felt forced. Two lovers had parted ways several years before this cruise brought them back together, and the explanation for their separation seemed like an insufficient afterthought.

When the inevitable murder occurred, the audience was given a few minutes to interrogate the cast and try to guess the murderer. The audience was given papers with hints of questions to ask that might help solve the crime. Another great example of involving everyone, the audience was given the chance to get up and go talk to the cast, or (as with everyone at my table) we could stay in our seats and wait for cast members to come to us.

In this particular play, it wasn’t really possible to solve the crime without guessing (In the last Hunt Mystery I saw, solving the crime was very doable, so I’m not sure which is the norm). Only one person in the audience was able to determine the murderer, the weapon, and the motive. All the same, the point of the evening was more the novelty of an evening of humor and music than of the mystery, anyway. So I didn’t really mind.

I’ve gotta hand it to Karyn Tucker, in her first directorial experience with Hunt Mysteries, for pulling off an overall well executed evening. I was impressed by music (music director Anjanette Michelsen) and by all the actors’ vocal talents. The dancing, choreographed by Alisha Williams, was delightful and humorous.
Hats also go off to the staff at Spaghetti Mama’s for providing quick service and remaining unobtrusive. I thought it was noteworthy that I was never distracted from any part of the play by the servers. The only complaint I have about the venue was sound quality. Of course, just like I knew I wouldn’t be treated to Shakespeare, I also knew the place wouldn’t have opera hall acoustics. Still, though, there were times when I couldn’t understand or hear what the actors said. This was mostly noticeable during the musical numbers.

Hunt Mysteries is good, clean fun. The acting is great. The musical talent is evident. The stories are entertaining. While there are flaws, they rarely distract from the experience or the atmosphere. Sure, it’s not classic theater, but it certainly is a good time.

Review of Hunt Mysteries, Utah Theater Bloggers Association


Posted Aug 6, 2011

SANDY — I have never been to a murder mystery, which is pretty much the reason I volunteered to see this show.  Theater, food, and murder, too?!?  I was excited.
Before I headed off to Through the Window Glass, I did a quick UTBA search for previous Hunt Murder Mysteries, just to get an idea of what to expect.  I scanned/read a review by Craig Mustoe and found the following items: (1) The sound system had problems, (2) The actors were enthusiastic, and (3) Good times were had by all.  My experience turned out to be quite similar.
In the upstairs banquet room of Spaghetti Mama’s, we became dinner guests of Dolly Dallas (played be Heidi Potter), a charming woman whose wealthy husband, Tex, is mysteriously absent from the festivities.  But her sister and brother-in-law, the Dalhs, are in attendance, along with Tex’s business associate, Sean.  There are a maid and a window washer attending, as well.  Plot-wise, nothing much happens; it’s a dinner party.  But I’ve decided that audiences are quite forgiving when they have food in front in of them.  The same show, in a traditional theater setting, would not have worked.
There are a lot of great things about what Hunt Murder Mysteries presents each weekend.  The content of the show is enjoyable and compact.  The songs, jokes, and over the top characters leave no room for boredom and the evening flies by with two “intermissions,” one to allow the audience to eat dinner, and another to question the characters.  It would be a great date activity because of the laughter and the interaction that naturally ensues between table-mates.  My husband and I sat at a table with four strangers, who we would normally politely ignore, but at Hunt, somehow we fell into conversation.  The actors would visit each table and make awkward and hilarious comments; we couldn’t help but laugh and empathize with one another.
Sadly, the microphones did have issues.  And the music levels often drowned out the singers; I could barely hear Elise (Nancy Candrian) sing, “I Can’t Say No.”  Cringing for the cast and crew, I crossed my fingers that it would all work out.  But there were sound problems throughout the show, and since Craig’s review posted months ago, I worry that this is a persistent issue with Hunt productions.  Please fix this problem, Hunt MM, and you will improve the show so much.
It was fun to hear familiar songs, like “Hello Dolly,” “Love and Marriage,” and “New York New York.”  I enjoyed, too, that Lee Hunt had incorporated original lyrics into some of the songs.  I kept feeling like I was missing things, though, when a mic was giving feedback or an actor wasn’t enunciating clearly.   The speed of the show may also have been a factor.  I wanted to catch every bit of the humor.
Dolly’s bubbly personality was so likeable, as it was written to be, I’m sure.  I didn’t want her to get hurt or disappointed, which I thought she might (based on the promotional image of Dolly looking through a window at a dead body.)  My other favorites were Rain Jeppson’s singing voice as she played the role of Barbie Dahl, and the window washer’s (Justice Jex) hilarious surfer accent (“Dude” and “Totally” were heard many times.)  The French maid’s accent (Nancy Candrian) was one thorn in my side, though, especially when she sang her solo and lost it altogether.  If an actor is going to use an accent, I expect it to be consistent and to add to, rather than detract from, the character.
One more thought: Is it morbid of me that I wanted to see the dead body?
When we were asked to name the murderer, I had to absolutely guess; I consider myself intelligent, but I really didn’t pick up the clues I was supposed to.  Maybe the key plot points could be even clearer, for those murder mystery rookies like me.  The cop that I sat next to was very involved in the mystery and in tracking down the perpetrator.  (She got it right, by the way.)
If you are looking for a nice, dark seat in a large anonymous audience—Hunt Murder Mysteries are not for you.  I was, honestly, caught off guard by the actors, fully in character, greeting me with gusto.  And when we were all encouraged to interrogate these same confident thespians, I was thoroughly intimidated.  It’s just a fact that this type of venue isn’t for everyone, but I loved it, despite my shyness, and will definitely be attending again.
The Hunt Murder Mysteries production of Through the Window Glass plays August 12, 20, and 27 at 7:30 PM at Spaghetti Mama’s (75 E. 9400 S., Sandy). Tickets are $10.50-$15.50, with dinner and drinks sold separately. For more information, visit www.huntmysteries.com.

Amber Peck is a lover of art, theater, and music. She does her very best to brainwash her four children into loving the same things. Amber has been a reviewer for the UTBA since 2010; it's been a great way to participate in Utah's theater community.