Posted Aug 6, 2011
SANDY — I have never been to a murder mystery, which is
pretty much the reason I volunteered to see this show. Theater, food, and murder, too?!? I was excited.
Before I headed off to Through the Window Glass, I did a
quick UTBA search for previous Hunt Murder Mysteries, just to get an idea of
what to expect. I scanned/read a review
by Craig Mustoe and found the following items: (1) The sound system had
problems, (2) The actors were enthusiastic, and (3) Good times were had by
all. My experience turned out to be
quite similar.
In the upstairs banquet room of Spaghetti Mama’s, we became
dinner guests of Dolly Dallas (played be Heidi Potter), a charming woman whose
wealthy husband, Tex, is mysteriously absent from the festivities. But her sister and brother-in-law, the Dalhs,
are in attendance, along with Tex’s business associate, Sean. There are a maid and a window washer
attending, as well. Plot-wise, nothing much
happens; it’s a dinner party. But I’ve
decided that audiences are quite forgiving when they have food in front in of
them. The same show, in a traditional
theater setting, would not have worked.
There are a lot of great things about what Hunt Murder
Mysteries presents each weekend. The
content of the show is enjoyable and compact.
The songs, jokes, and over the top characters leave no room for boredom
and the evening flies by with two “intermissions,” one to allow the audience to
eat dinner, and another to question the characters. It would be a great date activity because of
the laughter and the interaction that naturally ensues between
table-mates. My husband and I sat at a
table with four strangers, who we would normally politely ignore, but at Hunt,
somehow we fell into conversation. The
actors would visit each table and make awkward and hilarious comments; we
couldn’t help but laugh and empathize with one another.
Sadly, the microphones did have issues. And the music levels often drowned out the
singers; I could barely hear Elise (Nancy Candrian) sing, “I Can’t Say
No.” Cringing for the cast and crew, I
crossed my fingers that it would all work out.
But there were sound problems throughout the show, and since Craig’s
review posted months ago, I worry that this is a persistent issue with Hunt
productions. Please fix this problem,
Hunt MM, and you will improve the show so much.
It was fun to hear familiar songs, like “Hello Dolly,” “Love
and Marriage,” and “New York New York.”
I enjoyed, too, that Lee Hunt had incorporated original lyrics into some
of the songs. I kept feeling like I was
missing things, though, when a mic was giving feedback or an actor wasn’t
enunciating clearly. The speed of the
show may also have been a factor. I wanted
to catch every bit of the humor.
Dolly’s bubbly personality was so likeable, as it was
written to be, I’m sure. I didn’t want
her to get hurt or disappointed, which I thought she might (based on the
promotional image of Dolly looking through a window at a dead body.) My other favorites were Rain Jeppson’s
singing voice as she played the role of Barbie Dahl, and the window washer’s
(Justice Jex) hilarious surfer accent (“Dude” and “Totally” were heard many
times.) The French maid’s accent (Nancy
Candrian) was one thorn in my side, though, especially when she sang her solo
and lost it altogether. If an actor is
going to use an accent, I expect it to be consistent and to add to, rather than
detract from, the character.
One more thought: Is it morbid of me that I wanted to see
the dead body?
When we were asked to name the murderer, I had to absolutely
guess; I consider myself intelligent, but I really didn’t pick up the clues I
was supposed to. Maybe the key plot
points could be even clearer, for those murder mystery rookies like me. The cop that I sat next to was very involved
in the mystery and in tracking down the perpetrator. (She got it right, by the way.)
If you are looking for a nice, dark seat in a large
anonymous audience—Hunt Murder Mysteries are not for you. I was, honestly, caught off guard by the
actors, fully in character, greeting me with gusto. And when we were all encouraged to
interrogate these same confident thespians, I was thoroughly intimidated. It’s just a fact that this type of venue
isn’t for everyone, but I loved it, despite my shyness, and will definitely be
attending again.
The Hunt Murder Mysteries production of Through the Window
Glass plays August 12, 20, and 27 at 7:30 PM at Spaghetti Mama’s (75 E. 9400
S., Sandy). Tickets are $10.50-$15.50, with dinner and drinks sold separately.
For more information, visit www.huntmysteries.com.
Amber Peck is a lover of art, theater, and music. She does her very best to brainwash her four children into loving the same things. Amber has been a reviewer for the UTBA since 2010; it's been a great way to participate in Utah's theater community.
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